The invention of textiles was one of the major steps towards a more civilised and of course a much more interesting world. There is so much that can be done with textiles, fabrics, clothes as we call them - knit, weave, stitch, sew, knot, crochet, cut, felt, stick, paste, embroider, decorate, colour, dye ... oh there is a plethora of verbs that can be used for anything to do with textiles. The most preferred and maybe the first step in creating masterpieces in fabrics is the way it is coloured or dyed. Cottons are the most popular and preferred fabrics in the world and the best one comes from our dear motherland. The unique styles of colouring and weaving textiles makes India a very very popular destination for textiles businesses all over the world. Right from the era of the "Silk Route" till date, India has been on the world map for textiles / fabrics. Rajasthan has its own identity in this vast marketplace with weaves like Kota Doria, dyes like Leheriya and Bandhej, craftsmanship like Zardozi and Gota Patti and printing like Sanganeri and Bagru. Here we talk about the Bagru printing industry.
What is Bagru famous for?
Who isn’t a fan of the vegetable dyed - hand block printed Bagru textiles. Let us today take you for a behind the scenes trip to this beautifully preserved, three centuries old art form of fabric printing from Rajasthan.
Bagru is a small village 30 km from Jaipur on the Jaipur - Ajmer route. The village / town is not famous for any forts or palaces but a very unique style of fabric printing - known by the name of the village itself as Bagru printing.
Bagru prints can be found all over the world, loved by one and all, the rich and famous too. The best part about the authentic Bagru printing is that it is primarily done on cotton fabrics making these textiles extremely skin friendly and loveable. The fabric is skin friendly and the prints are gorgeous, the colours subtle, the dyes natural - everything that is so positive about Bagru prints. Not just that, the art falls under the handicraft tag and employs the people from the Chhipa community - giving support and livelihood to the artisans. This unique art is GI tagged and is one among the 11 GI tagged goods from Rajasthan.
Preparing the raw cloth
Before the printing begins, there is a lot that goes on with the raw sheet of cloth to prepare it for the process of absorbing the dyes. The raw fabric contains impurities like starch, oil and dust and needs to be cleaned throughly before the blocks touch the fabric. The chhipas prepare a solution of cow dung, soda ash and sesame oil to treat the raw fabric. This fabric then is washed in a solution made with powdered “Harada” seeds. The process removes all the impurities and prepares the cloth for better penetration of colours and gives a yellow tint to the cloth. The tannic acid naturally found in Harada seeds reacts with the “syahi” dye to give it the natural oxidised black colour. The black prints in Bagru printing come thus from a reaction between the naturally prepared Black dye and the tannic acid of Harada seeds. Another popular method of preparing the cloth for printing is a bit different but again involves using absolutely natural ingredients. In this method, the cloth is first smeared in fuller’s earth (multani mitti), dried and soaked in turmeric infused water to lend its unique beige colour which is the base for all Bagru print fabrics.
Preparing the Dyes
There are two main colours that are used in Bagru printing - Begad and Siyahi as they are locally referred to. Begad is the red dye which is prepared with alum, geru and natural gum the source of which is Gvar (a locally grown bean variety) mostly. Siyahi is the black dye which is prepared with fermented molasses, iron, gum again and starch of tamarind flower. This dye when comes in contact with the pre-treated fabric (harada seed treatment) as explained above, turns to a beautiful shade of black referred to as the Bagru Black. The third important and widely popular colour is the Rajasthani Indigo. Preparing the Indigo dye also is a very typical process and needs years of experience to handle it and get the desired consistency and colour of the final product. Indigo is not water soluble and hence it is chemically treated to change its properties to make it water soluble. The seeds of Indigo plant are boiled and chemically treated to break them down, they are left water soaked for a night before being mixed with gum and alum to get the right shade of blue. The more water used, the deeper the blue turns out to be.
Printing Process
Bagru printing can be classified into two categories - simple printing and daboo printing. The tools used for printing are - dye troughs and wooden blocks. The cloth is stretched over a frame and dyes are filled in different troughs. Wooden blocks with the patterns and designs carved onto them are then dipped in the troughs and pressed onto the cloth - one colour at a time. The wooden blocks are hand crafted and intricate patterns are carved onto them. To make complex patterns, sets of blocks are made - some with outlines of designs and some to fill in the colours inside the designs. The outlines are always printed first and left to dry. Then the colours are filled and dried again. The final fabric is then washed in a solution of alum and water to get the sharpness in the patterns and brightness in the colours. This is simple Bagru printing. Now coming to Daboo printing - it is a little lengthier a process but gives a shaded effect to the printing and is more popular. Here, a paste of clay, gum, gluten and “some secret ingredients” which are the personal secrets of the artisan families are mixed and kneaded well. This paste is then applied to the stretched fabric. Printing is done over the dried paste. Once the printing is completed, the fabric is washed well in the alum water to remove the paste. The actual printed patterns then emerge. The traditional patterns are usually flowers, birds and animals. Some artisans experiment with geometrical patterns too.
Products
Bagru printing is just a method of printing and textiles are printed in this particular way, the end products can range from anything to everything. You could get bedroom linen made, table cloths, cushion covers, curtains, table mats, quilt covers, garments or even use them as wall panels. The choice is entirely yours. Next time you wear that Indigo shirt of yours, we are sure the whole process of how it came to your wardrobe will flash before your eyes.
Want to explore this little industrial town and be a part of the journey of cotton from boll to a shirt? Write to us at pooja@rajasthanroutestrails.com and we shall curate a walk specially customised for you.